About

Artist Bio - Marijke Gilchrist

Marijke is experienced across a range of painting mediums, collage and silk dying techniques but after  a one day introduction to encaustic in January 2013, Marijke fell in 'love' with this medium and through extensive experimentation in her studio she has made the medium her own. This has led to numerous encaustic exhibitions since 2014.

From the Ancient Greek “enkaustikos” (meaning “to burn in”), encaustic painting is the process of fusing layers of beeswax mixed with natural resin and to this medium pigments are added.  Encaustic is the oldest known pigment binder, with its colour remaining intact after centuries.  The end product has a soft (yet durable) finish, the medium create works with a deep finish, luminous and ethereal qualities.  Impervious to moisture, the wax prevents cracking or fading. (more information under the tab Encaustic Paintings and History)

Working in encaustic is a sensory experience: smelling the beeswax; feeling of the intense heat to fuse the layers; watching works unfolding from a liquid to solid state.  Texture can be explored through gouging, scraping and smoothing each layer; tools include chains, dentistry equipment and linocut blades. Other materials can be incorporated, such hand‑dyed silk, teabags, rust, transferred images and found objects (including seashells and dried leaves).

Marijke's studio is in Canberra and is affectionally referred to as "The Hive". This ia a tribute to the bees whose wax makes her work possible and the notion of a hive being a center of creative industry.

Marijke was born in Holland and migrated with her parents in the early 1950s.  She has been a resident of the Inner North in Canberra for over 50 years.  Marijke has always been interested in painting her environment – locally, across Australia and overseas. 

Exhibitions

2021

The Calyx in the Royal Botanic Garden, Sydney

From the hive ..swarming to the The Calyx (encaustic paintings)

2019

Fyre Gallery, Braidwood NSW

Time and Space (encaustic paintings)

A joint exhibition with Angharad Dean,  Simone Doherty and Caroline Reid

2019

Palm House in the Royal Botanic Garden, Sydney

From the hive ..swarming to the Palm House (encaustic paintings)

2018

Yarralumla Gallery Weston Park ACT

Colouristic  (encaustic paintings)

A joint exhibition with Sue Cook

2018

Turntable Gallery, Yack Station, 6 Turntable Lane, Yackandandah Victoria

From the hive swarming to Yackandandah (encaustic paintings)

2018

Box Hill Community Arts Centre, Victoria

Women, Light the Way 

A joint exhibition with Angharad Dean,  Simone Doherty and Lynn Nicholas

2017

 Spiral Gallery Bega NSW

Free thinking 

A joint exhibition with Allan Jones,  Camelia Smith & Isla Patterson

2017

Palm House in the Royal Botanic Garden, Sydney

From the hive.. swarming to the Palm House (encaustic paintings)

2017

Watson Arts Centre, Canberra

Women, Light the Way (encaustic painting)

A joint exhibition with Angharad Dean, Anita Smith, Ruth Lathlean and Simone Doherty.

2016

Yarralumla Gallery, Canberra

From the Hive (encaustic painting)

2015

Yarralumla Gallery, Canberra

Wax2  (encaustic painting)

A joint exhibition with Sue Cook

2014

Form Studio and Gallery, Queanbeyan

The Luminous Landscape (encaustic painting)

2012

Form Studio and Gallery, Queanbeyan

Marks of Nature (painting, mixed media)

2007

Front Gallery, Lyneham Canberra

Crossing the Convergence – Antarctic Peninsula (painting, mixed media)

1986

Regatta Point Canberra

Sunday in the Park (oil painting)

1985

Canberra Theatre Centre Gallery

Birds, People and Places (oil painting)

1982

Norfolk Island

Oil painting

1981

Canberra Theatre Centre Gallery

Oil painting

1973

Canberra Theatre Centre Gallery

Oil painting

Book Illustration

1990 One Hundred Hints on Designing Home Gardens – Peter Rudge and Tom Cahill

2012  Wahroonga – Brenda Fairbairn

 

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